GUO-LIANG TAN

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<channel>
	<title>GUO-LIANG TAN</title>
	<link>https://guo-liangtan.com</link>
	<description>GUO-LIANG TAN</description>
	<pubDate>Wed, 20 Nov 2024 01:29:49 +0000</pubDate>
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	<item>
		<title>Current and Recent</title>
				
		<link>https://guo-liangtan.com/Current-and-Recent</link>

		<pubDate>Wed, 04 Sep 2019 09:42:57 +0000</pubDate>

		<dc:creator>GUO-LIANG TAN</dc:creator>

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Guo-Liang Tan


Current and Recent


1/5/25—30/6/25International Studio &#38;amp; Curatorial Program ISCPNew York

14/12/24—18/5/25The Secrets of Color: from Impressionism to Contemporary ArtPola Museum of Art, Kanagawa, Japan


30/8/24—20/7/25Everyday PracticesTanjong Pagar Distripark, Singapore Art Museum

20/7/24—24/8/24Point, Line, PlaneOta Fine Arts, Singapore


8/1/24—30/1/24En Route: Southeast AsiaOta Fine Arts, Shanghai

6/7/24—3/8/24Another Folding SceneSifang Satellite Space, Tongren Road, Shanghai

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	<item>
		<title>Bio</title>
				
		<link>https://guo-liangtan.com/Bio</link>

		<pubDate>Thu, 29 Aug 2019 07:01:54 +0000</pubDate>

		<dc:creator>GUO-LIANG TAN</dc:creator>

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		<description>Bio


Guo-Liang Tan (b. Singapore) is a visual artist working primarily in the field of painting, from which works in other
mediums such as text, collage and video sometimes emerge. In his work, surfaces, painterly or otherwise, become a space for performing gestures of affect and conjuring a haunting that converses with the ghosts of abstraction. Gaps and overlaps, traces and fragmentation feature prominently in Tan’s making process. He is interested in how this frames and orientates our sense of time, body and memory.

Tan completed his BA in Fine Art &#38;amp; Critical Studies at Goldsmiths College, London and his MFA at Glasgow School of Art. He was also a guest student at The Städelschule, Frankfurt am Main, Germany and an artist-in-residence at the NTU Centre of
Contemporary Art. He is a recipient of Singapore National Arts Council Scholarship as well as the Mackendrick Scholarship and the Antje und Jürgen Conzelmann Preis for painting. He was also a finalist in the Sovereign Asian Art Prize 2018.

His work has been exhibited and collected in Asia and Europe. Past and recent exhibitions include ‘Ghost Screens’ (2017) and ‘Soft Turnings’ (2021) at Ota Fine Arts, Singapore, ‘A Different Way
Of (Thinking About) Painting?’ (2017) at Langgeng Art Foundation, Yogyakarta, ‘DEPTHS: Others, Lands, Selves’ (2018) at Elevation Laos, Vientiane, ‘Reformations’ (2019) at NTU ADM Gallery,
Singapore, ‘Strange Forms of Life’ (2020) at STPI Gallery, Singapore, ‘Object of Desire’ (2021) at Gerðarsafn Kópavogur Art Museum, Iceland, ‘Re-surfacing’ (2023) at STORAGE, Bangkok, ‘Another Folding Scene’ (2024) at Sifang Satellite Space, Shanghai and&#38;nbsp; ‘Everyday Practices’ (2024) at Singapore Art Museum.&#38;nbsp;

Tan belongs to a generation of artists whose creative output extends beyond his own studio practice. Alongside his own work, he also collaborates with other artists on curatorial and publication projects, including ‘Aversions’ and ‘Found &#38;amp; Lost’ (2009) for Osage Gallery, ‘We Who Saw Signs’ (2011) for Institute of Contemporary Arts Singapore, ‘Side Affects’ (2019) for Ota Fine Arts and ‘State Of Motion 2020: Rushes Of Time’ for Asian Film Archive.

Guo-Liang Tan is represented by Ota Fine Arts.


Education


	2014—15
	Städelschule, Frankfurt am Main, Germany


	2013—15
	Master of Fine Art, Glasgow School of Art, Glasgow, UK


	2001—03
    BA Fine Art &#38;amp; Critical Studies, Goldsmiths College, London, UK


Award/Grant/Residency

	2022
    Villa Lena Residency, Italy

2018
    Sovereign Asian Art Prize (finalist)


	2015
    Centre Of Contemporary Art NTU CCA Residency, Singapore


	2015
    Antje und Jürgen Conzelmann Preis


	2014
    Axisweb Artwriting Programme (Scotland), Glasgow, UK


	2013
    National Arts Council Singapore Scholarship


	2013
    Mackendrick Scholarship


	2007
    Close Connection, Amsterdam, Netherlands


	2002
	Hamal Butt Art Award


Solo Exhibitions

2024
    ‘Another Folding Scene’, Sifang Satellite Space, Shanghai2023
    ‘in mid shapes’, Ota Fine Arts, Tokyo2021
    ‘Soft Turnings’, Ota Fine Arts, Singapore
	2017
    ‘Ghost Screen’, Ota Fine Arts, Singapore


	2012
	‘Play Dead’, Space Cottonseed, Singapore


Public Commissions&#38;nbsp;

2023
    ‘A Folding Scene’ for Esplanade Concourse, Singapore2021
    ‘Arrive, Arrive’ for Light
to Night Festival, National Gallery Singapore2021
    ‘Interlude For Lentor’ for LTA Art-In-Transit, Singapore


Group Exhibitions

2024
    ‘The Secrets of Color: from Impressionism to Contemporary Art’, Pola Museum of Art, Kanagawa, Japan
    ‘Everyday Practices’, Tanjong Pagar Distripark, Singapore Art Museum
    ‘Point, Line, Plane’, Ota Fine Arts, Singapore
    ‘En Route: Southeast Asia’, Ota Fine Arts, Shanghai
    

    ‘Petite Grounds’, Ota Fine Arts, Shanghai
    ‘Chronic Complusions’, Private Museum, Singapore2023
    ‘Re-Surfacing’, STORAGE, Bangkok

    ‘Constructs’, Ota Fine Arts, Singapore


    ‘Desire Is Dead’, Tanglin Shopping Centre, Singapore


2022
    ‘Traces’, Ota Fine Arts, Singapore
    ‘We’re Young Once’, Art Agenda, Singapore
    ‘S.E.A. Focus: chance… constellations’, Tanjong Pagar Distripark, Singapore
2021
    ‘Object of Desire’, Gerðarsafn Kópavogur Art Museum, Iceland
    

‘Habitat’, Ota Fine Arts, Shanghai
    ‘Encounter’, Ota Fine Arts, Singapore
    ‘S.E.A. Focus: hyper-horizon’,&#38;nbsp;Tanjong Pagar Distripark, Singapore

2020
    

‘Strange
Forms Of Life’, STPI Gallery, Singapore
    

‘Time’, Ota Fine Arts, Singapore
    

‘Singapura’,
Ota Fine Arts, Tokyo


‘Post Art Fair’, Ota Fine Arts, Singapore


	2019
    ‘Desert Garden’, Ota Fine Arts, Shanghai


    ‘Object of Desire’, Brother Joseph McNally Gallery, Institute of Contemporary Arts Singapore


    ‘Reformations: Painting in Post 2000 Singapore Art’, NTU ADM Gallery, Singapore


2018
    ‘DEPTHS: Others, Lands, Selves’, Elevation Laos at icat Gallery, Vientiane, Laos

	
‘Crossroads’,
Ota Fine Arts, Singapore


    ‘Hikarie Contemprary Art Eye Vol.10’, Tokyo, Japan


    ‘Ethereal Machines: Guo-Liang Tan &#38;amp; Zang Kunkun’, Ota Fine Arts, Shanghai


    ‘The Crossing’, Gallery Exit, Hong Kong


	2017
    ‘A Different Way Of (Thinking About) Painting’, Langgeng Art Foundation, Yogyakarta, Indonesia


    ‘Suppose, there is A’, Earl Lu Gallery, Institute of Contemporary Arts Singapore


    ‘Alfa Tango’, Grey Projects, Singapore


	2016
    ‘Of The Sea’, Chatham Historic Dockyard, UK


    ‘í drögum / Prehistoric Loom IV’, Akureyri Art Museum, Iceland


	2015
    ‘Peacetime Resistance’, Bærum Kunsthall, Oslo, Norway &#38;amp; Project Room, Glasgow, UK


    ‘MFA Degree Show’, Glue Factory, Glasgow, UK


    ‘RUNDGANG 2015’, Städelschule, Frankfurt am Main, Germany
&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 


2014
    ‘The Trouble With Painting Today’, Pump House Gallery, London, UK


    ‘In Heaps &#38;amp; Hinges’, The Old Hairdresser’s, Glasgow, UK


    ‘Do You Believe in Angels?’, Equator Art Projects, Singapore/Manila


	2013
    ‘Painting in Singapore’, Equator Art Projects, Singapore


	2012
    ‘Marcel Duchamp in Southeast Asia’, Equator Art Projects, Singapore


	2011
    ‘Remaking Art in the Everyday’, Art Stage, Singapore


	2009
    ‘From left to right and right to east’, Project Space, Huddersfield, UK


	2003
    ‘Imagine The Painting Sees You’, Pilot Art Space, Hastings, UK


Curatorial Projects
2021‘Shwe Wutt Hmon: Noise And Clouds And Us’, Objectifs Centre for Photography and Film, Singapore


2020


‘Strange
Forms Of Life’, STPI Gallery, Singapore


‘State Of Motion 2020: Rushes Of Time’, Asian Film Archive,
National Archives Singapore 


2019
    ‘Side
Affects’, Ota Fine Arts, Singapore


	2012
    ‘Singapore Intensive II: Song-Ming Ang’, Future Perfect, Singapore


	2011
    ‘We Who Saw Signs’, Institute of Contemporary Arts Singapore


	2009
    ‘Found &#38;amp; Lost’, Osage Singapore, in affiliation to Singapore Arts Festival


2008
    ‘Gloaming’, Grey Projects, Singapore


2006
    ‘The Deep End', p10 Art Space, Singapore


	2004
    ‘And we took ourselves out of our hands (In Search of the Miraculous)’, p10 Art Space, in affiliation to Gravity (organised by Multimedia Art Asia Pacific) and SENI Singapore 2004


Selected Articles
‘GUO-LIANG TAN IN CONVERSATION WITH TONY GODFREY’, Art Talk South East Asia, arttalksea.com, 2023-4
Wong Bing Hao, ‘not sure i rmb’, exhibition text for Another Folding Scene at Sifang Satellite Space, Shanghai, 2024

Sherman Sam, ‘Guo-Liang Tan at Ota Fine Arts Tokyo’, exhibition review in Artforum, Vol. 62, No. 5, Jan 2024Lynda Tay, ‘Guo-Liang Tan: Soft Turnings’, exhibition review in ArtAsiaPacific, 2022

Jeannine Tang, ‘Watching Paint, Motion Picture’, in Soft Turnings exhibition catalogue, published by Ota Fine Arts, 2021

‘A Conversation with Guo-Liang Tan and Sherman Sam’, in Soft Turnings exhibition catalogue, published by Ota Fine Arts, 2021

Ian Tee, ‘Conversation with Singaporean artist Guo-Liang Tan’, interview on Art &#38;amp; Market, 14 Dec 2020

Wong Bing Hao, ‘Guo-Liang Tan: Soft Obsolescence’, article in LEAP, 2018

Sherman Sam,’ How Abstraction Can Improve Your Life’, article in Art-In-Sight, published by OCULA, 2018

Jean Hui Ng, ‘Review: Ghost Screen – Guo-Liang Tan’, exhibition review in ArtAsiaPacific, 2017

Choe Ho, ‘Guo-Liang Tan’s Ghost Screen’, exhibition review on intersection.sg, 2017

Anca Rujoiu, ‘What We Take Away With Us (From A Work Of Art)’, in Ghost Screen exhibition catalogue, published by OTA Fine Arts, 2017

Kevin Chua, ‘The Uncommitted Life’, in Ghost Screen exhibition catalogue, published by OTA Fine Arts, 2017

Jeremy Sharma, ‘A flower painting by any other name… genre painting that isn’t’, article on Artitute.com, 31 Dec 2012

Adeline Chia, ‘Still life paintings play dead’, exhibition review in Straits Times Life!, 22 Nov 2012

Joleen Loh, ‘Of floods and flowers’, exhibition review in TODAY Arts section, 22 Nov 2012

Tony Godfrey, ‘Thinking Paintings’, in Play Dead exhibition catalogue, published by Space Cottonseed, 2012

Hanna Scott, ‘Voices of Revolution’, feature article in Surface Magazine, Aug 2011

Mayo Martin,&#38;nbsp; ‘Sign Language’, exhibition review in TODAY Arts section, 8 Aug 2011

Lee Weng Choy, ‘A Conversation about Drawing’, in C-Arts Magazine, Nov/Dec 2009

June Yap, ‘Found &#38;amp; Lost’, exhibition review in Asian Art News, July/Aug 2009
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		<title>Works</title>
				
		<link>https://guo-liangtan.com/Works</link>

		<pubDate>Tue, 03 Sep 2019 03:06:30 +0000</pubDate>

		<dc:creator>GUO-LIANG TAN</dc:creator>

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		<description>Works</description>
		
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		<title>in mid shapes</title>
				
		<link>https://guo-liangtan.com/in-mid-shapes</link>

		<pubDate>Wed, 20 Nov 2024 01:29:49 +0000</pubDate>

		<dc:creator>GUO-LIANG TAN</dc:creator>

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		<description>in mid shapes
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28/10/23 - 16/12/23Solo exhibition at Ota Fine Arts, Tokyo.
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		<title>A Folding Scene</title>
				
		<link>https://guo-liangtan.com/A-Folding-Scene</link>

		<pubDate>Thu, 29 Jun 2023 09:38:51 +0000</pubDate>

		<dc:creator>GUO-LIANG TAN</dc:creator>

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		<description>A Folding Scene


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2023Acrylic on aeronautical fabric, wood and wireDimensions variableEsplanade Concourse, SingaporeImages: courtesy of Esplanade – Theatres on the Bay


A Folding Scene expands Guo-Liang Tan’s ongoing explorations into the idea of paintings as objects existing in space. These painterly objects are made by folding and unfolding fabric before layering paint over its surface. While developing this site-specific work, Tan began to question whether the process of painting is similar to how events unfold scene by scene in a dramatic story. Suspended across the Esplanade Concourse, A Folding Scene comprises six angular forms of varying sizes and shapes which are softened by the use of aeronautical fabric: a material favoured by the artist for its lightness, translucency and ability to glide paint. Awash with glowing colours, including violet, orange, pink and varying shades of blue and green, the coloured surfaces are accentuated by textures and fold lines, which are traces of Tan's process as paint pools into the creases and stains the fabric. Carefully composed across the undulating stepped architecture of the space, these draped painterly surfaces shift between image and object, inviting a visual and bodily perception of the Esplanade Concourse as a performance space and an unravelling scene. 
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		<title>Selected Paintings II</title>
				
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		<pubDate>Thu, 29 Jun 2023 09:43:03 +0000</pubDate>

		<dc:creator>GUO-LIANG TAN</dc:creator>

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		<description>Selected Paintings II


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2022/23Acrylic on aeronautical fabric, woodDimensions variable
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		<title>Soft Turnings</title>
				
		<link>https://guo-liangtan.com/Soft-Turnings</link>

		<pubDate>Thu, 29 Jun 2023 09:39:36 +0000</pubDate>

		<dc:creator>GUO-LIANG TAN</dc:creator>

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		<description>Soft Turnings


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27/11/21 - 8/1/22Solo exhibition at Ota Fine Arts, Singapore.
For more information, visit: https://soft-turnings.com/</description>
		
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		<title>Arrive, Arrive</title>
				
		<link>https://guo-liangtan.com/Arrive-Arrive</link>

		<pubDate>Fri, 05 Mar 2021 02:11:12 +0000</pubDate>

		<dc:creator>GUO-LIANG TAN</dc:creator>

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		<description>Arrive, Arrive

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&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/4003ac39ed6023f9253f0da51f44ea495a28cc95253f55017f76392b6530455d/Installation-view-of--Arrive--Arrive---2021--National-Gallery-Singapore-106.jpg" data-mid="100924784" border="0"  src="https://freight.cargo.site/w/1000/i/4003ac39ed6023f9253f0da51f44ea495a28cc95253f55017f76392b6530455d/Installation-view-of--Arrive--Arrive---2021--National-Gallery-Singapore-106.jpg" /&#62;

2021Acrylic on aeronautical fabric, wood and wireDimensions variableNational Gallery Singapore


Arrive, Arrive is a series of ‘painterly objects’ that take the form of coloured wing-like structures suspended at the National Gallery Singapore’s Padang atrium. Painted on translucent aeronautical fabric and stretched over wooden frames, the work takes the experience of viewing paintings out of the gallery and into a public space. Playing with the conventional language of painting - its surface, support and two-dimensional plane, viewers are invited to visually engage with the artwork from various vantage points and think about ‘what makes a painting?’ from a different perspective.

Central to the experience of the work is the feeling of suspension. The aerodynamic shape of these painterly objects suggest a sense of flight and the sensation of gliding through air. They are painted with overlapping shades of atmospheric colours, which catch the natural skylight filtered from the atrium’s glass ceiling. Hues and tones shift as we move around the atrium, drawing attention to our embodied experience of colour. The title alludes to a sense of anticipation and emergence, suggesting an unexpected appearance of these objects from elsewhere. Striking a contemplative and meditative tone, the work was commissioned by the gallery for its Light To Night Festival 2021: ‘_____-in-Progress’.

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		<title>Strange Forms of Life</title>
				
		<link>https://guo-liangtan.com/Strange-Forms-of-Life</link>

		<pubDate>Fri, 05 Mar 2021 02:03:08 +0000</pubDate>

		<dc:creator>GUO-LIANG TAN</dc:creator>

		<guid isPermaLink="true">https://guo-liangtan.com/Strange-Forms-of-Life</guid>

		<description>Strange Forms of Life


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2020Acrylic on aeronautical fabric, woodDimensions variable
Images: courtesy of STPI Creative Workshop &#38;amp; Galley
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		<title>Selected Paintings I</title>
				
		<link>https://guo-liangtan.com/Selected-Paintings-I</link>

		<pubDate>Fri, 05 Mar 2021 01:45:34 +0000</pubDate>

		<dc:creator>GUO-LIANG TAN</dc:creator>

		<guid isPermaLink="true">https://guo-liangtan.com/Selected-Paintings-I</guid>

		<description>Selected Paintings I


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&#60;img width="2910" height="3504" width_o="2910" height_o="3504" data-src="https://freight.cargo.site/t/original/i/c393dffee22c0b73372d22822e9da7eacddaf8309d99c65648d8c52794711b57/Guo-Liang-Tan_Untitled-3_2019_Acrylic-on-fabric-and-wood_121.1-x-100.6_S.jpg" data-mid="100923617" border="0"  src="https://freight.cargo.site/w/1000/i/c393dffee22c0b73372d22822e9da7eacddaf8309d99c65648d8c52794711b57/Guo-Liang-Tan_Untitled-3_2019_Acrylic-on-fabric-and-wood_121.1-x-100.6_S.jpg" /&#62;

2019/20Acrylic on aeronautical fabric, woodDimensions variable</description>
		
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