‘Into Her Blues: On The Recent Paintings Of Jane Lee’, catalogue essay in Where Is Painting?, published by Sundaram Tagore, Singapore 2022
‘Shwe Wutt Hmon in conversation with
Guo-Liang Tan’, artist interview for exhibition Noise And Clouds And Us, published by Objectifs Centre of Photography and Film, Singapore, 2021
‘Strange Forms Of Life’, exhibition essay, published by STPI Gallery, Singapore, 2020
‘In Conversation: Tada Hengsapkul‘, artist interview in State Of Motion 2020: Rushes Of Time, published by Asian Film Archive,
Singapore, 2020
‘Side Affects’, exhibition essay, published by Ota Fine Arts, Singapore, 2019
‘Excerpts from The Archaeology of Touches’ in Making Of An Institution, published by NTU CCA Singapore, 2017
‘Painting Time’ in Impermanent Durations, published by RMIT/ICAS/Lancaster Institute for the Contemporary Arts, 2016
‘The Sovereign Forest’ at NTU CCA Singapore, exhibition review in Art Review Asia, 2016
‘Each Blade of Grass. Each Shrub. Each Tree’ at The
Substation, exhibition review in Art Review Asia, 2016
‘The Key to This Mystery Is to Rephrase the Question Slightly: Guo-Liang Tan in Conversation with Chun Kai Feng’, artist interview, Fost Gallery, Singapore, 2016
‘Blue (I Put A Spell On You)’ in Ellipsis Journal: Issue B, 2015
‘House’ in Speaking in Tongues — Five Responses from Five Writers, published by CCA Glasgow, 2014
‘Hayley Tompkins: Digital Light Pools’, online review for ThisIsTomorrow.info, 2014
‘Seeing Things’, online review for ThisIsTomorrow.info, 2014
‘Painting in Glasgow’, online article for Axisweb.org, 2014
‘Trappings And Dwellings’ in Engaging Perspectives: New Art from Singapore, contributing text, published by NTU CCA Singapore, 2013
‘Guo-Liang Tan interviews Ian Woo’ in Ian Woo: A Review 1995–2011, published by Institute of Contemporary Arts Singapore, 2012
‘Charles Lim’ in Singapore Biennale 2011: Open House, published by Singapore Art Museum, 2011
Aversions, artist book published by Osage Gallery, 2009
